Every
Staff writer · Frontier TeamI write, test, and build with AI, then report what works for me so others can decide what works for them.
Essays, apps, and agents—because words are magic.
I obsess over AI and work at Every, build small tools for writers and editors, and try to figure out how technology changes how work feels by sharing how it is changing how it feels to me.
Writing, testing, and building at the edge of AI and knowledge work.
I write, test, and build with AI, then report what works for me so others can decide what works for them.
An AI writing system that helps writers develop ideas, draft, revise, and review in their own voice.
Longer, weirder, more confessional. The writing that does not fit anywhere else.
How AI tools provided the support I needed to end years of work turmoil.
On AI-fueled flow states, creative obsession, and remembering to eat dinner.
Turning a list of my writing foibles into a skill that stops me from getting away with them.
On AI, Magnifica Humanitas, and protecting the person the machine helped bring back.
It takes rigor, judgment, and willingness to be told your work isn't good enough.
I turned my AI writing process into a plugin for Claude Code and Codex, and wrote a guide to making it your own. It helps with the work between the first idea and the piece you’re ready to share.
Read the guideA faster, easier-to-talk-to Fable, with strong writing and coding results—and a habit of overrunning the brief. Our team tested where it earns a place in the workday and where to keep another model nearby.
Read on EveryI tested a model designed to escape the familiar patterns of AI prose. Less predictable writing turned out to be a different goal from better writing.
Read on EveryOn task crossover, the illusion of explanatory depth, and why just because you can doesn't mean you should.
Read on EveryBLUF—bottom line up front—checks whether the most important idea in a piece shows up where it best serves the reader. It compares what the opening promises with what the draft actually delivers, then recommends the smallest move that gets the point into the right place without bulldozing a good hook, scene, or joke.